The BlLANDSCAPE WITH HEADLESS MAMA COVER (400x608)ueshift Journal reviews LANDSCAPE WITH HEADLESS MAMA gorgeously. I’m so grateful.

“Givhan writes with a subtle magic, twining familial tension with the cultural fodder of the folktale. In the end, Landscape with Headless Mama is a tale full of whimsy and the poetics of language – and yet, at the same time, a tale that doesn’t shy away from the dark forests of the fairytale. Indeed, Landscape with Headless Mama is a beast, its jaws gaping wide.” –Briana Albers

Read the full review here.



Landscape with Headless Mama is here!


My book is now available from Pleiades Press and Amazon.

If you’d like a signed copy of LANDSCAPE WITH HEADLESS MAMA (17.95 + 2.50 shipping), you can order it directly from me and I’ll send the book to you!

Thank you for your support! Just click on the following link to pay using PayPal.

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Jer and Lina with Mama's first book!

My babes are so excited to hold Mama’s first book! Proud loves.




LANDSCAPE WITH HEADLESS MAMA COVER (400x608)Available from Pleiades Press.

Also available from Amazon.

Contact Jenn for a signed copy.

Landscape with Headless Mama is a poetry collection by Jennifer Givhan that explores the experiences of becoming and being a mother through the lens of dark fairy tales. Givhan describes the book as “a surreal survival guide.” A poet with strong roots in the desert southwest, Givhan incorporates fine art and folkloric influences from Latin American culture into her poetry. Drawing inspiration from Gloria Anzaldúa, Frieda Kahlo, Leonora Carrington, tattoo artists, and comic book heroes, among other sources, this is a book of intelligence, humor, deep feeling, and, above all, duende.

“Pardon me, but I’m shivering a bit at my core.  These are restless, storm-hued stanzas, revelations of our dark cravings and hapless, woefully imperfect attempts at  perfect love. Here are the dreams even our dreams won’t reveal, flaunting wild edges and endings that nudge the soul, each fusing of  lyric and lesson as potent as a backhand slap. And Mama watches everything. Mama sees it all.” – Patricia Smith

“The landscape of poet Jennifer Givhan’s searing first book may be that of the desert southwest, but is lush with language, thick with a personal symbology and unsparingly true. If Frida Kahlo and Remedios Varo wrote poems together, that book just might be Landscape with Headless Mama. The women in Givhan’s poetry are a fierce crew. They fight, are flayed and are teenagers at the fair. They catastrophize, hallucinate, hula and struggle with this damnable world. These are true border poems, restlessly crossing between the real and the surreal, the loved and the used up, the fertile and the infertile, and the hungry and the sated. Jennifer Givhan is a dangerous poet in all the necessary ways.” – Connie Voisine

“What’s living without fear of getting lost?” That’s only one of many empowering moments in Jennifer Givhan’s auspicious debut. Her “blood magic” ink delivers the hard truths that kick-start the healing of the “splintered cactus” that hurdles the path of a woman’s journey. Landscape with Headless Mama blossoms with the “strange alloys of sadness” that devastate motherhood and femininity, and then nurture their wounds back to vibrant life. – Rigoberto González

In Jennifer Givhan’s Landscape with Headless Mama, the vivid truth of these poems evokes both the wince of pain and the head-rush of joy, the familial and the romantic disconnections we endure and those connections found in the same terrain that we, still, manage to cherish. If there’s a line in these poems that doesn’t surprise, I couldn’t find it; one never knows where the poem will take us. I found myself tracing “maps of the borderland into my body/ cliff dwelling, the taste of red brick on the tongue….” Each figure rendered, each voice conjured comes to life with their distinct journey, and Givhan continues to remind us of yet another truth: “There are other ways for the story to end.” Indeed, the possibilities seem limitless in this world she builds. If a collection of poems can be called a page-turner, this is what it feels like. – A. Van Jordan


2015 *Best of the Net*


My poem “If the Jornada del Muerto had a Trachea” is included in this year’s Sundress Publication Best of the Net! I’m over the moon & beyond! Check out the stunning, gorgeous work my poem is alongside as well.

All the poetry love,



The Change

My poem THE CHANGE, a finalist for the The Jane Lumley Prize, is up at

H E R M E N E U T I C   C H A O S   J O U R N A L:

“When I was still small I began growing antlers 
as a stag grows antlers, as a girl grows

Read the poem here.


(And I love this prompt Tausha Johnson came up with for incorporating magical realism into our writing, using “The Change” as a model!)

“Tasseography of Pregnancy After Miscarriage” in Drunken Boat

reading tea leaves“I keep trying to read the tea leaves greening
the lukewarm belly of the mug—”

Read and listen to the rest of the poem at Drunken Boat.




My One-Hundredth Journal Publication up at Origins!

virgen de guadalupeI’ve been working like a madwoman sending out my poems into the world nearly as long as my son has been alive (I started submitting when he was one, so I mark my poetry career by his life, because truly, I’m not sure either would have been possible without the other–how the imaginary shaped reality, how I wrote my story into existence, realizing we could adopt after writing poems about being a mother and mourning the children we’d lost to infertility and miscarriage)… Anyway, all of that to say, since he’s been alive, I’ve now published poems in one hundred journals! Today my work went up at Origins Journal, marking this moment for my poems–and I’m so thankful. For the life that brings the poems, and for the poems that keep giving to my life.

“Your body is a knife—

both slicing point

& handle.” –from “Self-Defense”


Here are “Leaving Anthony” and “Self-Defense–Or What I Wish Mama Would Have Taught Me” up at Origins!

Thank you for reading!



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