Landscape with Headless Mama is here!

LANDSCAPE WITH HEADLESS MAMA COVER (400x608)Dear Friends!

My book has arrived! Email or message me for a signed copy! I can email you a PayPal link and mail it out ASAP.

All love,
Jenn

Jer and Lina with Mama's first book!

My babes are so proud of their Mama!

LANDSCAPE WITH HEADLESS MAMA coming in September 2016!

LANDSCAPE WITH HEADLESS MAMA COVER (400x608)Available soon from Pleiades Press.

Landscape with Headless Mama is a poetry collection by Jennifer Givhan that explores the experiences of becoming and being a mother through the lens of dark fairy tales. Givhan describes the book as “a surreal survival guide.” A poet with strong roots in the desert southwest, Givhan incorporates fine art and folkloric influences from Latin American culture into her poetry. Drawing inspiration from Gloria Anzaldúa, Frieda Kahlo, Leonora Carrington, tattoo artists, and comic book heroes, among other sources, this is a book of intelligence, humor, deep feeling, and, above all, duende.

“Pardon me, but I’m shivering a bit at my core.  These are restless, storm-hued stanzas, revelations of our dark cravings and hapless, woefully imperfect attempts at  perfect love. Here are the dreams even our dreams won’t reveal, flaunting wild edges and endings that nudge the soul, each fusing of  lyric and lesson as potent as a backhand slap. And Mama watches everything. Mama sees it all.” – Patricia Smith

“The landscape of poet Jennifer Givhan’s searing first book may be that of the desert southwest, but is lush with language, thick with a personal symbology and unsparingly true. If Frida Kahlo and Remedios Varo wrote poems together, that book just might be Landscape with Headless Mama. The women in Givhan’s poetry are a fierce crew. They fight, are flayed and are teenagers at the fair. They catastrophize, hallucinate, hula and struggle with this damnable world. These are true border poems, restlessly crossing between the real and the surreal, the loved and the used up, the fertile and the infertile, and the hungry and the sated. Jennifer Givhan is a dangerous poet in all the necessary ways.” – Connie Voisine

“What’s living without fear of getting lost?” That’s only one of many empowering moments in Jennifer Givhan’s auspicious debut. Her “blood magic” ink delivers the hard truths that kick-start the healing of the “splintered cactus” that hurdles the path of a woman’s journey. Landscape with Headless Mama blossoms with the “strange alloys of sadness” that devastate motherhood and femininity, and then nurture their wounds back to vibrant life. – Rigoberto González

In Jennifer Givhan’s Landscape with Headless Mama, the vivid truth of these poems evokes both the wince of pain and the head-rush of joy, the familial and the romantic disconnections we endure and those connections found in the same terrain that we, still, manage to cherish. If there’s a line in these poems that doesn’t surprise, I couldn’t find it; one never knows where the poem will take us. I found myself tracing “maps of the borderland into my body/ cliff dwelling, the taste of red brick on the tongue….” Each figure rendered, each voice conjured comes to life with their distinct journey, and Givhan continues to remind us of yet another truth: “There are other ways for the story to end.” Indeed, the possibilities seem limitless in this world she builds. If a collection of poems can be called a page-turner, this is what it feels like. – A. Van Jordan

2015 *Best of the Net*

BEST OF THE NET

My poem “If the Jornada del Muerto had a Trachea” is included in this year’s Sundress Publication Best of the Net! I’m over the moon & beyond! Check out the stunning, gorgeous work my poem is alongside as well.

All the poetry love,

Jenn

 

The Change

My poem THE CHANGE, a finalist for the The Jane Lumley Prize, is up at

H E R M E N E U T I C   C H A O S   J O U R N A L:

“When I was still small I began growing antlers 
as a stag grows antlers, as a girl grows
breasts.”

Read the poem here.

 

(And I love this prompt Tausha Johnson came up with for incorporating magical realism into our writing, using “The Change” as a model!)

“Tasseography of Pregnancy After Miscarriage” in Drunken Boat

reading tea leaves“I keep trying to read the tea leaves greening
the lukewarm belly of the mug—”

Read and listen to the rest of the poem at Drunken Boat.

 

Love,

Jenn

My One-Hundredth Journal Publication up at Origins!

virgen de guadalupeI’ve been working like a madwoman sending out my poems into the world nearly as long as my son has been alive (I started submitting when he was one, so I mark my poetry career by his life, because truly, I’m not sure either would have been possible without the other–how the imaginary shaped reality, how I wrote my story into existence, realizing we could adopt after writing poems about being a mother and mourning the children we’d lost to infertility and miscarriage)… Anyway, all of that to say, since he’s been alive, I’ve now published poems in one hundred journals! Today my work went up at Origins Journal, marking this moment for my poems–and I’m so thankful. For the life that brings the poems, and for the poems that keep giving to my life.

“Your body is a knife—

both slicing point

& handle.” –from “Self-Defense”

 

Here are “Leaving Anthony” and “Self-Defense–Or What I Wish Mama Would Have Taught Me” up at Origins!

Thank you for reading!

Love,

Jenn

Mother Writer Interview with Michelle Otero

Performing “Mother Lode” as part of Hembras de Pluma 2015, photo credit: Alan Mitchell

Performing “Mother Lode” as part of Hembras de Pluma 2015, photo credit: Alan Mitchell

I’m so excited to share this conversation with fierce Latina poet/playwright/actor/activist extraordinaire Michelle Otero, who discusses her experiences as a writer and stepmother of two.

But I wish someone would have handed me The House on Mango Street or Bless Me, Última and said, “Your people write books too.” … We hold mothers to very high standards. My mom taught elementary school, raised five of us, cooked, and kept the house spotless. I hate cleaning the bathroom. I enjoy cooking, but the pressure of generating a new meal for kids who don’t like vegetables has sucked any pleasure I might derive from that experience. –Otero

Read the full interview here.

Thank you!

Love,

Jenn

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